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Gamut Music Glossary
Below is a select list of commonly used terms and phrases relating to Gamut gut strings.
| TERM | DESCRIPTION | NOTES |
|---|---|---|
| 3-D Printed Ball End | Modern replacement for a knotted end. | Secures string in the tailpiece. |
| Academie Gold Strings | Gamut sheep gut strings. | Historically manufactured gut strings; produce a warm, rich tone with traditional elasticity. |
| Academie Strings | Gamut beef gut strings. | Includes both plain and wound options. |
| Anti-Tarnish Strips | Small black squares included with gut/silver-wound strings. | Prevents oxidation of silver windings. |
| Approximate Diameter (≈) | Physical polished diameter of plain gut. | Minor variance occurs with humidity/environment. |
| Bass Re-Wind | Service to replace worn winding on contrabass gut/metal-wound strings. | Extends the life of gut/metal-wound bass strings while preserving the original gut core. |
| Beef (Bovine) Serosa | Outer membrane of cow intestine used to make strong, durable gut strings. | Standard material for Gamut Academie strings. |
| Bridge / Nut Slots | Contact points where strings rest. | Must be smooth and rounded to avoid gut string breakage. |
| Burrs / Sharp Edges | Protrusions on an instrument's bridge, nut, or tuning pegs that can put excessive stress on a gut string. | Make sure all contact points are smooth. |
| Catgut | Traditional, but misleading term historically used for gut music strings. | Not made from cats. |
| Cleaning / Rosin Removal | Wipe strings after playing to remove rosin and dirt. | Prevents buildup and protects string varnish. |
| Custom Gauged Strings | Gamut strings (Treble, Lyon, Pistoy, Sheep, etc.) beyond standard listings. | Precise diameter selection for personalized tension or tone. |
| Dampits | Soft rubber tubes soaked in water and inserted into an instrument for humidity management. | Not recommended as they can damage the instrument. |
| Dependable Coated Violin Strings | Beef gut violin strings with polymer coating for protection. | Adds durability and resistance to moisture while retaining gut tone. |
| Diapason Gut | An extra-long, plain gut string used for archlute, theorbo, lautenwerck, etc. | Same processing as Treble/Lyon strings but longer. |
| Double-Length | A double-length treble gut string. | Designed to be cut in half for two uses. |
| Early Music | Broad term for repertoire predating the modern era, typically Renaissance and Baroque. | Commonly performed using gut strings and period instruments. |
| Equal Tension | Historically designed to carry a similar pulling force across all strings when tuned. | Provides even feel and tone across the set. |
| Equivalent Gauge (=) | For wound or gimped strings, gauge equals the plain-gut equivalent in mass. | The string will have a smaller diameter, as the wire is heavier. |
| Fine Tuners | Tailpiece screws used to adjust string pitch in small increments on synthetic/metal strings. | Not generally recommended for gut strings, as incremental tuning and metal edges can damage the string. |
| Fret Gut | Beef gut for tying frets on instruments. | Used on lutes and viols. |
| Gimped Gut | Gut string with a light metal thread partially wound into the string. | A transition between plain and wound strings; adds mass while retaining gut tone. |
| Gut/Metal-Wound Strings | Beef gut core strings wound with metal wire such as silver, copper, or silverplate. | Adds mass for lower pitches without excessive thickness. |
| Historically Informed Performance | Playing style and equipment based on documented historical practice. | Often uses pure-gut strings and period tuning of a=415 Hz. |
| Humidity Sensitivity | Gut is hygroscopic, it absorbs and releases moisture from air. | Causes pitch and tone fluctuations; store strings in a cool, dry environment. |
| Knotted End / String Knot | Traditional loop knot at the end of a gut string used to anchor it to the tailpiece. | Instructions are included on all Academie string inserts. |
| Lyon Gut | A gut string twisted in one direction to a high twist. | Not as flexible as the Pistoy; preferred when a little extra stiffness is required. |
| Mensur | The vibrating length of the string between nut and bridge. | Affects required gauge and tension. |
| Modern Performance Practice | Contemporary playing approach using current setups and expectations. | May combine gut or synthetic strings for flexibility; a=440 Hz tuning. |
| Mucosa / Submucosa / Serosa | Layers of intestine involved in gut string manufacture. | Gut strings are made from the serosa of beef and sheep. |
| Nylon Strings | Polished DuPont Tynex® 612 nylon, rectified to precise gauges. | Synthetic alternative to gut; stable under humidity; consistent tension. |
| Over-Tightening | Putting too much tension on a string when tuning. | Allow the string settle and tune gradually. |
| Pistoy Gut | A double-twist string providing great flexibility and quick response. | Supple and lively under the bow; often used for middle or lower strings. |
| Plain Gut | Natural gut (Treble, Lyon, Pistoy) string. | Does not include metal winding. |
| Polishing / Finishing | Workshop process that smooths and sizes gut. | Ensures uniform diameter and feel. |
| Red Diamond Bass Strings | Contrabass gut and gut/copper-wound strings. | Designed for modern players seeking warmth and stability at a=440 Hz tuning. |
| Settling | The period of time it takes a gut string to settle at tension on an instrument. | Larger strings will take more time. |
| Sheep (Ovine) Serosa / Sheep Gut | Made from sheep intestine. Sheep gut has a slightly different structure than beef gut — tighter fibers, more translucency. | Historical gut material; the tone has a warm and rich sonority. Used for Academie Gold and Tricolore pure-gut strings. |
| Soaking in Oil | Unrecommended practice of immersing strings in oil. | Weakens gut fibers and shortens life. |
| Solvents | Avoid alcohol or strong solvents on gut strings. | Can weaken gut cores or strip varnish. |
| Storage | Keep strings cool, dry, and away from sunlight. | Extends lifespan. |
| String Calculator | Online Gamut tool for estimating string length, gauge, and tension. | Helps users match gauge and tension for a specific instrument setup. |
| String Gauge | The diameter or thickness of a string, measured in millimeters. | Determines tension and tonal response. |
| String Leader | A short, thin piece of gut tied to the end of a string to facilitate attaching to the tailpiece. | Common on historical instruments. |
| String Length | Total string length expressed in inches or centimeters. | Not to be confused with vibrating string length (mensur). |
| String Oil | Applied during the finishing process. | Gamut discourages additional string oil. |
| Tail Gut | Plain beef gut used to secure the tailpiece to the end button on violin- and viol-family instruments. | — |
| Tension | Force applied to a string when at pitch, expressed in pounds-force or Newtons. | Determines how much stress the string and instrument are under. |
| Treble Gut | A low-twist (15º) natural gut string available with either a natural or varnish finish. | Suited for higher-tension instruments to stand the strain in the treble register. |
| Tricolore Strings | Modern performance violin and viola strings, modeled on historical 1930s-era Tricolore strings. | Offered in pure-gut (sheep) and gut/metal-wound (beef). |
| Tunings | Standard reference pitches such as a=440, a=415, a=392 Hz. | For modern and historical performance; affects string selection and tension. |
| Underlayer | A layer of silk between the gut core and the metal winding. | Provides internal damping which gives the string a warmer tone. |
| Varnish | Protective finish on gut strings. | For environmental and moisture resistance. |
| Whiskers | Little hairs or loose fibers that develop on a gut string. | Use nail clippers to carefully trim them. |